ORIGINAL TITLE
Gaze for the Prosecution
ORIGINAL LANGUAGE
en,
Film Gaze for the Prosecution Description
When Leonard Vole is arrested for the sensational execution of a rich, middle-aged widow, the illustrious Sir Wilfrid Robarts agrees to speak on his behalf. Sir Wilfrid, getting better from a shut-to-deadly heart attack, is presupposed to be on a diet of bland, civil fits—nonetheless, the entice of the felony courts is fair too indispensable for him, in particular when the case is so sophisticated.
YEAR
1957
PRODUCTION COUNTRY
United States of The United States
PRODUCTION COMPANIES
Edward Small Productions,United Artists
CAST
- Leonard Vole: Tyrone Vitality
- Christine Vole: Marlene Dietrich
- Sir Wilfrid Robarts: Charles Laughton
- Miss Plimsoll: Elsa Lanchester
- Brogan-Moore: John Williams
- Mayhew: Henry Daniell
- Carter: Ian Wolfe
- Mr. Myers: Torin Thatcher
- Emily Jane French: Norma Varden
- Janet McKenzie: Una O’Connor
- Judge: Francis Compton
- Inspector Hearne: Philip Tonge
- Diana: Ruta Lee
- Court docket Officer (uncredited): Patrick Aherne
- Bar Patron (uncredited): Don Ames
- Bar Patron (uncredited): Walter William Maxwell Aitken
- Court Spectator (uncredited): Eddie Baker
- Court Spectator (uncredited): Benjie Bancroft
- Court Spectator (uncredited): John Barton
- Juror (uncredited): Brandon Beach
- Juror (uncredited): George Blagoi
- Court Spectator (uncredited): Arline Bletcher
- Court Spectator (uncredited): Danny Borzage
- Court Spectator (uncredited): Tex Brodus
- Court Spectator (uncredited): George Bruggeman
- Court Spectator (uncredited): George Calliga
- Barrister (uncredited): Steve Carruthers
- Court Spectator (uncredited): Albert Cavens
- Court Spectator (uncredited): Oliver Injurious
- Juror (uncredited): Harry Denny
- Court Spectator (uncredited): Helen Dickson
- Court Spectator (uncredited): Minta Durfee
- Miss O’Brien (uncredited): Marjorie Eaton
- Barrister (uncredited): Franklyn Farnum
- Court spectator (uncredited): Bess Plant life
- Court Spectator (uncredited): Herschel Graham
- …: Marion Grey
- Court Spectator (uncredited): Stuart Hall
- Court Spectator (uncredited): Work Howard
- Cafe Patron (uncredited): Michael Jeffers
- Juror (uncredited): Colin Kenny
- Court Spectator (uncredited): Paul Kruger
- Court Spectator (uncredited): Jeanne Lafayette
- Court Spectator (uncredited): Wilbur Mack
- Court docket Officer (uncredited): Frank McLure
- Miss Johnson (uncredited): Ottola Nesmith
- Barrister (uncredited): William H. O’Brien
- Shorts Salesman (uncredited): J. Pat O’Malley
- Bit Half (uncredited): George Pelling
- Juror (uncredited): Fred Rapport
- Doctor (uncredited): Jack Raine
- Court Spectator (uncredited): Waclaw Rekwart
- Hat Store Sales Clerk (uncredited): Leoda Richards
- Court Spectator (uncredited): John Roy
- …: Edna Smith
- Court Spectator (uncredited): Scott Seaton
- Court Spectator (uncredited): Cap Somers
- Court Spectator (uncredited): Bert Stevens
- Clerk at Historical Bailey (uncredited): Jeffrey Sayre
- Spotlight Operator in German Cafe (uncredited): Norbert Schiller
- Court Spectator (uncredited): Arthur Tovey
- Barrister Reading Prices (uncredited): Ben Wright
- Court Spectator (uncredited): Glen Walters
CREW
- Director: Billy Wilder
- Production Assistant: Doane Harrison
- Editor: Daniel Mandell
- Work Path: Alexandre Trauner
- Make-up Artist: Harry Ray
- Director of Pictures: Russell Harlan
- Costume Keep: Edith Head
- Make-up Artist: Wally Westmore
- Tune Arranger: Leonid Raab
- Fable: Agatha Christie
- Conductor: Ernest Gold
- Dialogue: Noël Coward
- Dwelling Decoration: Howard Bristol
- Screenplay: Harry Kurnitz
- Sound: Fred Lau
- Hairdresser: Nellie Manley
- Presenter: Edward Small
- Adaptation: Lawrence B. Marcus
- Hairdresser: Helene Parrish
- Make-up Artist: Gustaf Norin
- Special Results: Lee Zavitz
- Producer: Arthur Hornblow Jr.
- Make-up Artist: Charles Gemora
- Costume Keep: Joe King
- Script Supervisor: John Franco
- Long-established Tune Composer: Matty Malneck
- Costume Keep: Adele Parmenter
- Production Supervisor: Ben Hersh
- Assistant Director: Emmett Emerson
- Light Photographer: Madison S. Lacy
- Casting: William Maybery
- Property Grasp: Stanley Detlie
- Make-up Artist: Ray Sebastian
- Second Assistant Director: Frank Losee
- Dialogue: Bert Steiner
- Technical Consultant: Basil Bleck
Film Title: “Gaze for the Prosecution”
Introduction:
In the sector of cinema, each and every movie is a assorted introduction, a sure tale ready to study. Gaze for the Prosecution, basically the most up-to-date addition to this ever-evolving universe, takes its viewers on an unforgettable hump that’s no longer correct visually gorgeous nonetheless emotionally profound. As a cinephile, I had the privilege of experiencing this movie and am excited to piece my thoughts on this evaluation.
Arena and Storytelling:
“Gaze for the Prosecution” tells a tale that is each and every intimate and epic in scale. The tale is a rollercoaster of emotions, ranging from heart-wrenching moments to exhilarating triumphs.
What fashions “Gaze for the Prosecution” aside is its skill to glue with the viewers on a deeply emotional stage.
The characters are superbly developed, and their train at some stage in the movie is each and every relatable and engaging.
Path and Cinematography:
The movie is a visible masterpiece, a correct testomony to the art of filmmaking. The director’s imaginative and prescient is realized with outstanding precision, making each and every frame a work of art. “Gaze for the Prosecution” cinematography is breathtaking, with scenes that are a feast for the eyes. The exercise of coloration, lights, and digicam angles enhances the emotional impact of each and every scene, making it an immersive skills.
Performances:
The solid of “Gaze for the Prosecution” delivers prominent performances. The supporting solid is equally spectacular, together with layers to the story with their outstanding performing skills. The chemistry between the actors is palpable, and it is some distance a joy to witness their interactions on display veil veil.
Soundtrack and Score:
The tune in “Gaze for the Prosecution” is a persona in itself. The soundtrack enhances the movie’s emotional hump, improving the viewers’s connection to the story. From heart-wrenching melodies to pulse-pounding compositions, the tune adds a layer of depth that is in total missing in trendy cinema.
Conclusion:
“Gaze for the Prosecution” is a cinematic gem that transcends the boundaries of the medium. Or no longer it is some distance a testomony to the energy of storytelling, art, and human connection.
This movie is a must-witness for someone who appreciates the magic of cinema. It’s going to bound away you each and every emotionally moved and intellectually stimulated, making it a outstanding addition to the sector of movie.
Don’t miss the opportunity to embark on this unforgettable cinematic hump.
So, gain your tickets, resolve into your seats, and prepare to be spellbound by “Gaze for the Prosecution“, a movie that will linger to your thoughts lengthy after the credit score roll.
- Andres Gomez: Sizable thriller with phenomenal classical interpretations. The online page moves in most cases too lazily.
- Shreyance Parakh: **Why accomplish no longer they build THESE motion photos anymore?**Besides being a **GREAT** court docket drama_(which some folks accomplish no longer agree with this movie is)_, this movie is so indispensable **FUN** and **ENTERTAINING** to witness.In particular on account of the characters of _Charles Laughton_ and _Elsa Lanchester_. But _Tyrone Power_ and _Marlene Dietrich_ had been convincing too of their portrayal of an _innocent, shrinking for his life man and a disloyal, unloving, poker faced wife_ respectively.
Some folks can also tell that they predicted the ending half of formula down the movie nonetheless i’m no longer moderately obvious as to how they predicted the **ACTUAL ENDING** earlier than it actually unfolded earlier than their eyes?
This movie is substantial no longer highest in the allotment performed in court nonetheless additionally in the scenes shot in _Sir Wilfrid Robarts’s_ enlighten of work(additionally on account of _Miss Plimsoll’s caringly lovably anxious persona!_).
In all likelihood the oldsters(the minority I would favor to evaluate) who accomplish no longer agree with this movie deserves the high ranking and rating that it is bought observed this intellectual allotment of art as extra of a suspense thriller.But I loved this movie as a delightfully ENTERTAINING, MYSTERIOUS, DRAMA !
I rate this 10 correct on tale of I haven’t viewed every other CLASSIC court docket drama that was as soon as intense at some stage in(barring some gentle hearted scenes with Sir Wilfrid Robarts) and but in the quit I in a roundabout arrangement felt gentle-hearted and had a smile on my face as a change of a concept upsetting sight on it.
The commentary in the ending credit score was as soon as innocently adorable for our cases of social networking _”The management of this theater suggests that for the better leisure of your pals who haven’t but viewed the image you will no longer narrate to someone the secret of the ending of Gaze for the Prosecution!”_
And mind you I’m a _big fan of 12 Enraged Men and Straightforward pointers on how to Abolish a Mockingbird!_ But this movie too is equally loyal in a sure formula altogether!
- John Chard: I’m consistently taken aback that women’s hats accomplish no longer provoke extra murders.Leonard Steven Vole finds himself on trial for the execute of a successfully off widow from whom he has inherited a fortune. High barrister Sir Wilfrid Robarts takes up the defendants case, nonetheless he, along with all americans else, is haunted when Vole’s apparently loving wife Christine turns up to testify in opposition to the defendant.
In step with Agatha Christie’s successful 1953 play, “Gaze For The Prosecution” benefited from magnificent tuning from master director Billy Wilder and writing partner Harry Kurnitz. Here the dialogue becomes razor sharp and the characters are fully realised with moderately very good results, nonetheless chiefly the masterstroke here is no longer letting a court room drama become correct that, a court room drama. The movie plays out with no wasted scenes, no moments of boredom, and it has such vim and vigour you in most cases fail to remember that there actually is drama in the story.
The solid listed below are on magnificent build, Wilder had wished to work with Charles Laughton for some time, and it is obvious that every and every events listed below are getting the correct out of 1 one more. Laughton is a pure pride as Robarts, a sharp tongue, all bluster and cheeky into the sever worth, his interaction with Miss Plimsoll (Laughton’s accurate life wife Elsa Lanchester) is quality, and it is one more testomony to Wilder’s genius for inserting them together. Tyrone Vitality, in what could well be his closing executed movie earlier than sadly passing away, is devilishly natty as Vole, while Torin Thatcher is substantial as the gruff prosecution barrister Myers. But as loyal as all of them are, all of them sit in the shadow of Marlene Dietrich and her flip as Christine Vole, sultry and femme fatalistic, it is some distance a scorching performance that crowns this delectable movie.
It took place to me overnight that it is doubtlessly the closest movie that Wilder bought to being Hitchcockian, and I’m gorgeous obvious the immense master of suspense himself would have loved this one. Or no longer it is some distance a thriller that is dramatic, it is some distance a thriller that is additionally humorous, it is gorgeous indispensable a multi genre basic. 9/10
- CinemaSerf: I could well be soliciting for bother here, nonetheless did Charles Laughton ever actually build a putrid movie? He leads this one as the shiny nonetheless curmudgeonly barrister “Sir Wildred Robarts” with oodles of charisma and magnificence. Marlene Dietrich portrays the deplorable, manipulative “Christine Vole” marvellously and even Tyrone Vitality, extra the matinée idol than the severe actor, delivers as required in Billy Wilder’s prominent rendition of the Agatha Christie tale about a man accused of murdering an elderly woman who has correct took place to bound away him a substantial deal of money in her will. Elsa Lanchester is suitably annoying/upsetting/adorable as the nurse attempting to retain her sick worth from keeling over mid-trial and a slew of different succesful British actors – together with a splendidly charismatic flip from Una O’Connor in the witness box – non-public in the supporting roles successfully. It’s one in all those very rare times where all the pieces correct gels completely and it actually is enjoyable to witness. A couple of of Laughton’s wry asides and attach-down lines are genuinely laugh out loud too. Had it no longer near up in opposition to “Bridge on the River Kwai” then I’m obvious it would have garnered no longer lower than one Oscar!
Credits: TheMovieDb