MOVIE DESCRIPTION
As a patriarchal household yearn for the start of a bit one boy to proceed their household line, their youngest son secretly joins an erotic dance theatre and falls for a transgender starlet.
MOVIE TRAILER
YEAR
2022
ORIGINAL LANGUAGE
ur,
PRODUCTION COUNTRY
Pakistan,United States of The United States
PRODUCTION COMPANIES
One Two Twenty Leisure,Noruz Films,Khoosat Films,Blood Moon Inventive,Diversity Hire Ltd,Astrakan Films AB,Film Producers,all caps,Extracurricular,Left Handed Films,Oscilloscope,Vidhi Films,Intuition Productions
CAST
- Haider: Ali Junejo
- Mumtaz: Rasti Farooq
- Biba: Alina Khan
- Nucchi: Sarwat Gilani
- Father: Salmaan Peerzada
- Saleem: Sohail Sameer
- Fayyaz: Sania Saeed
- Qaiser: Ramiz Law
- Ashfaq Saab: Honey Albela
- Shabnam Rani: Priya Usman Khan
- Honey: Honey
- Nenson: Shahbaz Rafiq
- India: Iftikhar India
- Tipu: Umar Fiaz
- Maeedah: Pakeeza Batool
- Madiha: Eeshal Ali
- Momina: Shiza Moin
- Bobby: Muzammil Khan
- Geeta: Izna Hayat Khan
- Guru: Saima Butt
- Britney: Nirmal Choudhary
- Rizwan: Aqeel Nasir Khan
- Amna: Tahira Ali
- Haider’s Uncle: Ahsan Murad
- Ayesha: Farhat Khan
- Naeem: Hassaan Gardezi
- Bride at Salon: Zoya Uzair
- Biba’s Foster Family #1: Bobby Jee
- Biba’s Foster Family #2: Diya Punjabi
- Biba’s Foster Family #3: Maiza Mughal
- Unique child #1: Ayana Adeel
- Unique child #2: Abeeha Kashif
CREW
- Executive Producer: Ramin Bahrani
- Executive Producer: Riz Ahmed
- Executive Producer: Elsa Ramo
- Executive Producer: William Olsson
- Co-Executive Producer: Matt Leipzig
- Sound Re-Recording Mixer: Nathan Ruyle
- Producer: Katharina Otto-Bernstein
- Executive Producer: Malala Yousafzai
- Executive Producer: Owais Ahmed
- Dialect Coach: Sarmad Sultan Khoosat
- Script Consultant: Zackary Drucker
- Producer: Lauren Mann
- Post Production Consulting: Worth Sean Haynes
- Sound Recordist: Faiz Zaidi
- Screenplay: Maggie Briggs
- Editor: Jasmin Tenucci
- Colorist: Belal Hibri
- Director of Photography: Joe Saade
- Producer: Kathryn M. Moseley
- Assistant Camera: Muhammad Shakeel
- Say Painter: Muhammad Akram
- Focal level Puller: Saeed Cheema
- Producer: April Shih
- Creator: Saim Sadiq
- Script Consultant: Bane Fakih
- Production Diagram: Kanwal Khoosat
- Production Accountant: Bilal Malik
- Post Production Supervisor: Nadeem Abbas
- Producer: Oliver Ridge
- Affiliate Producer: Mahak Jiwani
- Sound Re-Recording Mixer: Robert Louis Howley
- Foley Artist: Mike Miller
- Executive Producer: Tiffany Boyle
- Executive Producer: Oleg Dubson
- VFX Artist: Esteban Garcia Vernaza
- Sound Editor: Henry Maynard
- Title Vogue designer: Rob Bellon
- Casting Director: Sana Jafri
- Executive Producer: Jennifer Goyne Blake
- Producer: Apoorva Guru Charan
- Executive Producer: Kathrin Lohmann
- Executive Producer: Hari Charana Prasad
- Executive Producer: Sukanya Puvvula
- Affiliate Producer: Mona Maahn
- Dialogue Editor: Kayle Khanmohamed
- Script Supervisor: Tabish Habib
- Assistant Director: Qasim Abbas
- Choreographer: Gulshan Majeed
- Production Coordinator: Fawad Akmal Khan
- Costume Vogue designer: Zoya Hassan
- Customary Tune Composer: Abdullah Siddiqui
- Affiliate Producer: Tashish Habib
- Assistant Director: Hyra Basit
- Line Producer: Rashid Bokhari
- Unit Production Manager: Sheikh Muhammad Tanveer
- Script Consultant: Mahnoor Chaudhary
- Sound Assistant: Muhammad Faraz
- Sound Assistant: Muhammad Hassan
- Sound Assistant: Jazib Arshad
- First Assistant Camera: Fahad Mehmood
- Assistant Camera: Haroon William
- Assistant Camera: Alex Emanuel
- Assistant Camera: Muhammad Ali Murtaza
- Restful Photographer: Shahzaib Arshad
- Gaffer: Allah Rakha Basheer
- Key Grip: Kamran Khan
- Absolute most practical Boy Grip: Haider Ali
- Grip: Awais Ali
- Grip: Adeel Jaffar
- Grip: Zubair Hasan
- Grip: M. Saim
- Grip: Waqas Ali
- Art work Direction: Fyque Nadeem
- Assistant Art work Director: Adnan Haider
- Say Decoration: Amir Hussaini
- Say Decoration: Umer Ali Adnan
- Property Master: Umar Hayat Choudhary
- Property Master: Yaqoob Sadiq
- Dolly Grip: Muhammad Usman
- Wood employee: Muhammad Munir
- Wood employee: Shabbir Hussain
- Key Production Assistant: Muhammad Azam
- Wood employee: Qasim Abdullah
- Wood employee: Billie
- Wood employee: Tayyab Ali
- Electrician: Allah Ditta Sunny
- Electrician: Muhammad Azhar
- Electrician: Imran Butt
- Say Painter: Muhammad Khalid
- Say Painter: Altaf Hussain
- Assistant Costume Vogue designer: Ayesha Imran Khoosat
- Makeup & Hair: Haabil Saddiq
- Particular Effects Makeup Artist: Ahsan Sethi
- Makeup & Hair Assistant: Zamin Abbas Amish
- Makeup & Hair Assistant: Saif Jutt
- Accounting Clerk Assistant: Ali Muhammad Husnain
- Key Production Assistant: Muhammad Umar
- Key Production Assistant: Hassan Khadim
- Production Assistant: Riaz Niamat Raju
- Production Assistant: Safdar Ali
- Production Assistant: Khurram Shehzad
- Production Assistant: Hamza Nawaz
- Transportation Captain: Muhammad Arshad
- Driver: Muhammad Asim
- Driver: Hassan Khizar
- Driver: Zakir Hussain
- Driver: Saleem Sabee
- Driver: Muhammad Ishaq
- Driver: Khalid Shehzad
- Driver: Iftikhar Ahmed
- Driver: Sohail Ahmed
- Driver: Muhammad Mudassir
- Say Medic: Touqeer
- Catering: Haji Muhammad Farooq
- Security: Danish Ali Qazmi
- Security: Samiullah Niazi
- Intern: Hiba-e-Zahra Jafri
- Post Production Assistant: Subtain Nazir
- Extra Visible Effects: Asad Iqbal
- Publicist: Steven Raphael
- Title Vogue designer: Zahid Mayo
Credits to: TheMovieDb
I assume participants like forgotten the contrast between the meanings of “promotion” and “depiction”. For folks that actually invent now now not know what these words imply: promotion capability to help, to toughen something. And depiction capability to show hide something, to invent participants attentive to something by showing it to them.
Now, Joyland, nowhere in its 126 minutes flee supports or encourages or “promotes” homosexuality or the rest that is anti-Islamic. If truth be told, this is now now not basically even the most efficient theme of the film. It covers barely unparalleled every side of the home lifetime of a lower heart-class Pakistani man and a lady (I didn’t point out transgender persons because these wretched things like easiest one class of daily life). It presentations every harsh fact of our society. It presentations all of the plagues our country is being devoured by, these which have to now not remotely associated to Islam however like change proper into a section of our custom despite being extremely poisonous. These are the stigmas that we suffer from in our lives however no person wants to save away with them because they’ve been here for goodbye that they’ve change into regular. And a life without them would be irregular or even disgraceful and outrageous in response to our “elders”.
The film does show hide the homosexuality that exists in our country. It doesn’t snarl whether or now now not its proper or unsuitable, it factual presentations it. The finest side that is in total a destructive point in my search might perhaps perhaps be the graphic scenes. They weren’t basically that principal.
In the tip, I would perhaps hiss that Joyland is perhaps the most efficient film that is near out of Pakistani alternate in a lengthy time. Now we favor to toughen such movies and accept the existence of all of the brutalities of the society they devise us privy to. And lastly, try to carry out something about them.
The title here’s a theme park that capabilities easiest tangentially on this scrumptious and potent tale of “Haider” (Ali Junejo). He lives along with his prolonged family, unemployed, whilst his wife “Mumtaz” (Rasti Farooq) goes to work. He in all equity assign upon: he have to invent many of the household chores – even doing the ironing for his brother “Saleem” (Sameer Sohail). His brother has factual had a baby – one other daughter and his father (Salmaan Peerzada) is decided for a boy to lift on the family title. “Haider” goes and will get himself a job – and an now now not going one, at that. HeThanks to his friend, he auditions for a dancer’s job on the local theatre and despite having two left toes, manages to valid a job at ₹40,000 monthly for factual two concerts. He fibs to his family about the exact nature of the job, and is rapidly flailing spherical on the behest “Biba” (Alina Khan) who is the undoubted star of the show hide. As we growth, alternatively, we test that there is fairly more to “Biba” the before the total lot notion and since the 2 change into site visitors we furthermore test a minute bit more within the help of the causes why a son is so late in coming for the in some other case loving married couple. There’s an efficient chemistry between Khan and Junejo and since the yarn unfolds we are uncovered to a bunch of scenarios that difficulty established (admittedly, Western) views of factual how society might perhaps perhaps well perhaps accumulated honest – from the honest of every females and men by contrivance of to the an increasing number of more evident complications confronted by participants that invent now now not flee in that linear two-horse speed. It is some distance droll at times and the dialogue is ambiance friendly at helping this characterful yarn along in direction of the denouement. Now this is where I felt a minute bit disappointed. No longer that it doesn’t work – however one contrivance or the opposite it appeared as if it would me to be fairly of a unhappy cop-out from the writers who nearly appeared as if it would partner with the existing spirit of compliance at all costs. Peaceable, it’s principal to contemplate that for yourselves while you gape it – which I imply that you carry out.