Film “The Determine of the Rose”. Opinions and Movie Trailer.

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14th-century Franciscan monk William of Baskerville and his young amateur advance at a convention to search out that several monks were murdered below mysterious conditions. To resolve the crimes, William ought to arise in opposition to the Church’s authority and battle the black conspiracy of monastery monks the exercise of finest his intelligence – which is appreciable.





Cristaldifilm,Les Motion photos Ariane,ZDF,RAI,Constantin Film


  • William of Baskerville: Sean Connery
  • Bernardo Gui: F. Murray Abraham
  • Adso of Melk: Christian Slater
  • Remigio da Varagine: Helmut Qualtinger
  • Severinus: Elya Baskin
  • The Abbot: Michael Lonsdale
  • Malachia: Volker Prechtel
  • Jorge de Burgos: Feodor Chaliapin Jr.
  • Ubertino da Casale: William Hickey
  • Berengar: Michael Habeck
  • Venantius: UsaAlthaus
  • The Girl: Valentina Vargas
  • Salvatore: Ron Perlman
  • Michele da Cesena: Leopoldo Trieste
  • Adelmo: Lars Bodin-Jorgensen
  • Papal Envoy: Giordano Falzoni
  • Jerome of Kaffa: Franco Valobra
  • Hugh of Newcastle: Vernon Dobtcheff
  • Pietro d’Assisi: Donald O’Brien
  • Cuthbert of Winchester: Andrew Birkin
  • Cardinal Bertrand: Lucien Bodard
  • Jean d’Anneaux: Peter Berling
  • Bishop of Alborea: Pete Lancaster
  • Monk: Franco Adducci
  • Monk: Niko Brücher
  • Monk: Aristide Caporale
  • Monk: Fabio Carfora
  • Monk: Francesco Scali
  • Monk: Peter Clös
  • Monk: Mario Diano
  • Monk: Franco Pistoni
  • Monk: Maria Tedeschi
  • Monk: Valerio Isidori
  • Monk: Luigi Leoni
  • Monk: Armando Marra
  • Monk: Ludger Pistor
  • Papal Customer: Franco Diogene
  • Adso as an Extinct Man / The Narrator (Disclose): Dwight Weist
  • Soldier: Franco Marino
  • Novitiate: Kim Rossi Stuart


  • Producer: Bernd Eichinger
  • Casting: Celestia Fox
  • Casting Assistant: Mali Finn
  • Costume Way: Gabriella Pescucci
  • Well-liked Music Composer: James Horner
  • Director: Jean-Jacques Annaud
  • Fresh: Umberto Eco
  • Screenplay: Andrew Birkin
  • Screenplay: Gérard Brach
  • Screenplay: Howard Franklin
  • Screenplay: Alain Godard
  • Govt Producer: Jake Eberts
  • Govt Producer: Thomas Schühly
  • Director of Photography: Tonino Delli Colli
  • Editor: Jane Seitz
  • Sound Designer: Frank Jahn
  • Production Way: Dante Ferretti
  • Producer: Franco Cristaldi
  • Producer: Alexandre Mnouchkine
  • Digicam Operator: Antonio Scaramuzza
  • Casting: David Rubin
  • Hassle Decoration: Francesca Lo Schiavo
  • Make-up Artist: Ilona Herman
  • Dresser Coordinator: Esther Walz
  • Digicam Operator: Giovanni Fiore Coltellacci
  • Casting: Dominique Besnehard
  • Art Path: Rainer Schaper
  • Make-up Artist: Hans Jürgen Schmelzle
  • Sound Designer: Norbert Herzner
  • Casting: Sabine Schroth
  • Art Path: Giorgio Giovannini
  • Producer: Bernd Schaefers
  • Casting: Gianni Arduini
  • Grip: Umberto Dessena
  • Electrician: Wolfgang Dell
  • Make-up Artist: Friederike Mirus
  • Mute Photographer: Mario Tursi
  • Key Grip: Alberto Emidi
  • Focal point Puller: Marco Sperduti
  • Generator Operator: Vittorio Contino
  • Grip: Bruno Colanzi
  • Dresser Grasp: Alberto Spiazzi
  • Grip: Günther Bauer
  • Make-up Artist: Margrit Guthmann
  • Make-up Artist: Gerhard Reitinger
  • Particular Effects Supervisor: Adriano Pischiutta
  • Seamstress: Angela Anzimani
  • Electrician: Franco Caporale
  • Electrician: Aldo Galigani
  • Electrician: Giorgio Palermi
  • Electrician: Piero Quaglietti
  • Focal point Puller: Vasco Benucci
  • Focal point Puller: Guido Tosi
  • Generator Operator: Marco Di Salvo
  • Generator Operator: Umberto Leurini
  • Grip: Eraldo Barbona
  • Grip: Cesare Emidi
  • Grip: Richard Lindl
ALSO REVIEW: Movie "Slotherhouse". Opinions and Movie Trailer.

Credit to: TheMovieDb


  1. Within the origin I became once like “Hah, here’s some roughly Sherlock Holmes nonetheless a priest thing!”, and then I became once like “Oh, this **is** some roughly Sherlock Holmes nonetheless a priest thing!”

    _Final rating:★★★ – I cherished it. Would for my portion recommend you give it a ride._

  2. Bookish or Boorish?

    The Title of the Rose is directed by Jean-Jacques Annaud and in accordance with the radical of the same name written by Umberto Eco. It stars Sean Connery, Christian Slater, F. Murray Abraham, Helmut Qualtinger, Elya Baskin & Michael Lonsdale. Tune is scored by James Horner and cinematography by Tonino Delli Colli.

    Sean does Sherlock the Monk.

    It be a form of movie’s that I precise can’t obtain into, thrice I actually believe tried nonetheless it in actual fact’s now consigned to the recycle bin, never to be unearthed all over again. I note there may be substantial artistry there, it be very literate and the mystery element is solid, nonetheless it in actual fact saps my energy to the very final. Connery is miscast on story of he plays it as nudge nudge wink wink detective fare, and movie strains too laborious to be some psychological medieval musing on inquisitional vitality, berserker faith and the glance for reality. Now I admire unhappy moods, particularly when share of some Gothic architecture, nonetheless even with the savory weirdness of this monastery and the even extra strange haircuts, I obtain it laborious to sit down peaceful, such is the haphazard directing of the plan. In all honesty, the makers actually would believe been greater off precise making one more Sherlock Holmes movie and setting it in a monastery. Now that can well well be fun…

    This wishes to be a paean to Arthur Conan Doyle, a mind teaser and an observation on some troublesome subject matters, nonetheless the mix would no longer work, sadly, for me anyway. Because I construct no longer adore it would no longer mean it be a inferior movie, clearly it is cherished by many and has things of sign to a discerning viewer. Nonetheless to me, no, leaves me chilly and pissed off. 5/10

  3. **_Murder mystery at a unhappy abbey at some point soon of the Darkish Ages with Sean Connery_**

    In 1327, a Franciscan monk and his pupil (Connery and Christian Slater) approach at a monastery in northern Italy to back a extremely major theological Roman Church convention. When monks are came across dull in mysterious ways, William (Connery) winds up being the Medieval version of Sherlock Holmes. While he appears to figure the mystery out as a result of the proof, a mirthless inquisitor is named in and sees things otherwise (F. Murray Abraham). Ron Perlman plays a hunchback and Michael Lonsdale the Abbot.

    In accordance to Umberto Eco’s 1980 e book, “The Title of the Rose” (1986) is popular as some distance as areas, sets, costumes and accomplish-up ride. Anyone drawn to a sunless drama with the dreary Gothic ambiance of the Heart Ages, here’s the movie to stare. It’s helped by Connery’s towering performance, marked by his nonchalant confidence. Slater is moreover unheard of as the inquisitive newbie. Within the meantime Valentina Vargas as the feral peasant lady is but one more spotlight (there’s some nudity, precise a heads up).

    The assassinate mystery is decent ample and there are attention-grabbing theological debates, nonetheless here’s mostly a commentary on the precise, the inferior and the shocking of Medieval Catholicism. Consider, there became once precise motive in the back of the Protestant Reformation that started no longer as a lot as 200 years later. I repeat the use of the subtitles, as here’s a dialogue-pushed portion stuffed with mumbled Latin phrases and ordinary names; it may per chance per chance well well back the convoluted goings-on.

    Talking of which, the movie appears weighed down and obligatory a rewrite to accomplish the chronicle extra compelling. But it’s peaceful well value checking out for those involved and it influenced many movies, like “Robin Hood, Prince of Thieves” (1991). Followers of “Dark Loss of life” (2010) can believe to admire it, even though it’s no longer on that stage of greatness; the contemporaneous “Season of the Witch” too. Those films, on the different hand, are extra conventionally sharp. This one’s extra along the weighty strains of “The Bridge of San Luis Rey” (2004), which most other folks hated, nonetheless I liked.

    The flick runs 2 hours, 11 minutes, and became once shot at a reproduction of the monastery on a hilltop open air Rome (exteriors and some interiors) while most interiors were achieved at Eberbach Abbey, Germany, over 700 miles to the north; the mountain scenes were shot end by in Taunus Mountains, Hessen, Germany.

    GRADE: B-

  4. Lately I seen a restored version of “The Dark Pirate” – made in 1926 and that became once in loads greater situation that the print I seen of this 1986 iteration of the cracking Umberto Eco contemporary. Space amidst the worry that beset the Christian world at some point soon of the Holy Inquisition, we uncover ourselves at a faraway abbey perambulate by Michael Lonsdale. There is to be a gathering to facilitate a theological debate between the Franciscans and the Vatican. To that waste, “William of Baskerville” (Sean Connery) and his newbie “Adso” (Christian Slater) believe travelled to this rather bleak home. Their arrival is corrupt with sadness and mystery, although: a young monk has mysteriously died. “Baskerville” asks permission to stare into it and is rapidly inveigled in a complex investigation that is proving distinctly dangerous for almost all at this abbey. What’s largely the major? Can they deduce that earlier than the appearance of the dreaded “Bernardo Gui” (F. Murray Abraham), the extremely effective instrument of the church who thinks nothing of burnings on the stake? Here’s a substantial chronicle of medieval intrigue that is well enhanced here by a solid supporting solid – notably a almost unrecognisable Ron Perlman as “Salvatore”; Feodor Chaliapin Jr. is admittedly somewhat intimidating as the Frail “Jorge” and Michael Habeck’s “Brother Berengar” has something creepy and distinctly un-Christian about him. As the chronicle progresses we realise that here’s actually a story about no longer precise fear of the Inquisitors – nonetheless of the very vitality of the written phrase. Of the vitality of training and enlightenment – and the lengths some will ride to abet the unpleasant – potently exemplified here by Valentina Vargas – of their home. The cinematography of this shaded, chilly and unforgiving home provides richness and a malevolence to this movie that in actual fact does resonates an effective eeriness – an immoral, almost. Connery and Slater? Well maybe no longer my first different here – nonetheless they’re no longer unpleasant and the veteran does bring quite of gravitas to the function that precise about works. Given the total dross that is getting 4K upgrades on the present time, in actual fact this one has to merit quite of TLC.

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