MOVIE DESCRIPTION
When one among her students is suspected of theft, instructor Carla Nowak decides to gain to the underside of the matter. Caught between her ideals and the faculty blueprint, the implications of her actions threaten to interrupt her.
MOVIE TRAILER
YEAR
2023
ORIGINAL LANGUAGE
de,
PRODUCTION COUNTRY
Germany
PRODUCTION COMPANIES
if… Productions,ZDF,ARTE,Deutscher Filmförderfonds,MOIN Filmförderung Hamburg Schleswig-Holstein,Die Beauftragte der Bundesregierung für Kultur und Medien,Tandem
CAST
- Carla Nowak: Leonie Benesch
- Oskar: Leonard Stettnisch
- Friederike Kuhn: Eva Löbau
- Thomas Liebenwerda: Michael Klammer
- Milosz Dudek: Rafael Stachowiak
- Vanessa König: Sarah Bauerett
- Lore Semnik: Kathrin Wehlisch
- Dr. Bettina Böhm: Anne-Kathrin Gummich
- Mrs. Haubrichs: Katharina M. Schubert
- Mrs. Yılmaz: Uygar Tamer
- Mr. Yılmaz: Özgür Karadeniz
- Mr. Nauhaus: Tim Porath
- Mr. Stahlmann: Kersten Reimann
- Maren Firouza: Katinka Auberger
- Mariam Irfan: Canan Samadi
- Tim Boyle: Benjamin Bishop
- Teacher with Espresso: Henriette Sievers
- Krissi: Johanna Götting
- Mitra: Jade Nadarajah
- Paul: Goya Rego
- Yaw: Yaw Boah-Amponsem
- Lukas: Oskar Zickur
- Jenny: Antonia Luise Krämer
- Hatice: Elsa Krieger
- Tom: Vincent Stachowiak
- Ali: Can Rodenbostel
- Jieun: Padmé Hamdemir
- Luise: Lisa Marie Trense
- Vera: Lotta Wriedt
- Nelson: Nelson Pres
- Josefine: Josefine Jahn
- Markus: Lewe Wagner
- Mikail: Mikail Osanmaz
- Ruben: Ruben Kupisch
- Emma: Emma Phu
- Klara: Klara Lindner-Figura
- Enno: Enno Hoppe
- Ruby: Ruby L. Kauka
- Solomon: Solomon Röthig
- Zayana: Zayana Mielke
- Phileas: Phileas Spallek
- Ela: Ela Eroğlu
CREW
- Casting Director: Simone Bär
- Makeup Clothier: Barbara Kreuzer
- Director of Pictures: Judith Kaufmann
- Commissioning Editor: Barbara Häbe
- Costume Establish: Christian Röhrs
- Producer: Ingo Fliess
- Casting: Patrick Dreikauss
- Sound Re-Recording Mixer: Michael Hinreiner
- Manufacturing Establish: Zazie Knepper
- Casting Director: Alexandra Montag
- Foley Artist: Max Bauer
- Editor: Gesa Jäger
- Special Outcomes Supervisor: Norbert Skodock
- Foley Editor: Wolfi Müller
- Art Direction: Ticket Olaf Formanek
- Director: İlker Çatak
- Commissioning Editor: Olaf Grunert
- Foley Editor: Normann Büttner
- Sound Clothier: Kirsten Kunhardt
- Gaffer: Roman Breitwieser
- Colorist: Sebastian Göhs
- Script Supervisor: Nicole Birkholz
- Celebrated Song Composer: Marvin Miller
- Screenplay: Johannes Duncker
- Commissioning Editor: Alexandra Staib
- Manufacturing Coordinator: Mira Fellner
- Sound: Torsten Többen
- Visible Outcomes Supervisor: Til Strobl
- First Assistant Director: Janina Hüttenrauch
- Line Producer: Markus Mayr
- Unit Supervisor: Ingo Stroot
- Tranquil Photographer: Boris Laewen
- Makeup Artist: Karsten Drews
- Manufacturing Assistant: Valerie Stangl
- Submit Manufacturing Supervisor: Nena Stauber
- Assistant Editor: Lukas Leistritz
- 2d Assistant Director: Pia Ihling
- Steadicam Operator: Florian Klos
- Lighting fixtures Artist: Stefan Diercks
- Property Master: Steffi Lehmkul
- Property Master: Susanne Lingens
- Position Dresser: Mandy Beke
- Position Dresser: Stefanie Gehlken
- Makeup Artist: Saari Pirr
- Submit Manufacturing Supervisor: Michael Bohne
- Submit Manufacturing Coordinator: Fabian Spang
- Special Outcomes Supervisor: Rasmus Hirthe
- Manufacturing Assistant: Jonas Egert
Credits to: TheMovieDb
In current years, we’ve all considered examples of incidents that initiating out comparatively dinky but that quickly gain blown all out of proportion – and unreasonably so at that. As trends emerge and explode under these stipulations, they incessantly lose all sense of rationality and soon design stop on lives of their have, rising into tangential and seemingly unrelated areas that have simply about nothing to create with the occasion that spawned them. And, in the tip, we’re left with outcomes that seem imperfect and sick-suited to what launched these insane eventualities in the fist living. That’s what creator-director Ilker Çatak explores in his latest providing, a dramatic satire about what all straight away grows out of a case of petty theft in the lecturers’ lounge at a German heart school. Earlier than long, the victim on this incident (Leonie Benesch) becomes swept up in a extremely public mud-up that leads to her changing into a extremely public pariah in the eyes of her peers, her students and their folks, while those in unswerving capacities sit on the sidelines and create simply about nothing to take care of the express. The express thus serves as a microcosmic metaphor for what’s going down on a remarkable wider scale in society at broad this day, drawing in such ancillary parts as racial and national prejudice, the incendiary position of the media, the impact of unsubstantiated innuendo, the protection of internal most privacy, the indulgence of latest youth, and the sway of mistaken recordsdata in shaping public notion, a rather corpulent plate of dubious and unsavory fallout stemming from comparatively meager beginnings. Whereas some would perhaps perhaps moreover contend that these outcomes are a miniature of exaggerated in nature, they nonetheless collectively design consideration to undeniably troubling disorders desperately in need of consideration in our increasingly more out-of-administration world, global concerns that obviously transcend national borders, all punctuated here with more than a few hefty infusions of wickedly absurdist humor. “The Lecturers’ Lounge” would perhaps perhaps moreover no longer charm to all americans, but, for those who skills motion pictures that aren’t vexed to current biting social commentary, this must peaceable be added to your model checklist. As the bellow so sadly reveals, even supposedly civil environments aren’t immune from the more or much less social nonsense depicted here, a troubling teaching for all of us who are searching for a return to sanity in an increasingly more loopy existence.