MOVIE DESCRIPTION
Augusta, Georgia, United States, June 3, 2017. After working some errands, Actuality Winner returns home, the effect she is approached by two men.
YEAR
2023
ORIGINAL LANGUAGE
en,
PRODUCTION COUNTRY
France,United Kingdom,United States of The United States
PRODUCTION COMPANIES
In The In the reduction of Movies,Fit By the utilization of Vi,Seaview Productions,Cinereach,Burn These Words Movies,Tanbark Footage,2 SQ FT,MK2 Movies
CAST
- Actuality Winner: Sydney Sweeney
- Agent Garrick: Josh Hamilton
- Agent Taylor: Marchánt Davis
- Joe (Unknown Male): Benny Elledge
- FBI Agent: John Way
- Self (archive pictures): Actuality Winner
- Self (archive pictures): Tucker Carlson
- Self (archive pictures): Invoice Maher
CREW
- Thanks: Jake Gyllenhaal
- Casting: Douglas Aibel
- Government Producer: Caitlin Gold
- Government Producer: Will O’Connor
- Producer: Riva Marker
- Government Producer: Philipp Engelhorn
- Sound Re-Recording Mixer: Ryan Billia
- Steadicam Operator: Note Sparrough
- Editor: Jennifer Vecchiarello
- Government Producer: Eva Maria Daniels
- Editor: Ron Dulin
- First Assistant Director: Gerardo Coello Escalante
- Script Supervisor: Sam Evoy
- Producer: Noah Stahl
- Script Supervisor: Esha Kallianpur
- Producer: Brad Becker-Parton
- Co-Producer: Rita Walsh
- Production Create: Tommy Luxuriate in
- Costume Clothier: Enver Chakartash
- Visual Effects Supervisor: Bridget Fullan
- Screenplay: James Paul Dallas
- Art Division Coordinator: Dana Soady
- Sound Recordist: Heather Monetti
- Casting Associate: Matthew Glasner
- Second Assistant Director: Simona Berenice Vignoli
- Key Make-up Artist: Sarah Graalman
- Sound Engineer: Joel Scheuneman
- Co-Producer: David Duque-Estrada
- Authentic Tune Composer: Nathan Micay
- Unit Production Manager: Adam Samuels
- Production Supervisor: Jeff Spivack
- Colorist: Marcy Robinson
- Foley Supervisor: Beso Kacharava
- Second Unit Director of Pictures: Alex Gallitano
- Foley Artist: Biko Gogaladze
- Foley Mixer: Giorgi Lekishvili
- Government Producer: Elliott Whitton
- Director of Pictures: Paul Yee
- Assistant Costume Clothier: Sarah Scepansky
- Government Producer: Invoice Way
- Producer: Greg Nobile
- Thanks: Actuality Winner
- Thanks: Billie Winner-Davis
- Thanks: Brittany Winner
- Key Hair Stylist: Nina Bellord
- Government Producer: Andrew Beck
- Assistant Editor: Ellie Zarr
- Foley Editor: Alexander Sanikidze
- Sound Effects Editor: Alex Stuart
- Assistant Editor: Jennifer Dean
- Government Producer: Ellyn Daniels
- Theatre Play: Tina Satter
- Government Producer: Daniel Ginsberg
- Foley Editor: Rati Chkhetiani
- Sound Recordist: Simon Guzman
- Art Route: Casey McCoy
- Gaffer: Kevin Villafuerte
- Assistant Make-up Artist: Frances Bromley
- Home Decoration: Caroline ‘Kit’ Sheridan
- Property Master: Katherine McNamara
- Scenic Artist: Cameron Loughrey
- Nonetheless Photographer: Emilio Madrid
- Nonetheless Photographer: Lily Olsen-Ecker
- Sound Recordist: Matt Ericsson
- Key Grip: Connor Bewighouse
- Predicament Manager: Mike Ward
- Assistant Editor: Remy Laflamme
- Sound Editor: Chaim Goodman
- Sound Post Production Coordinator: Madeline Little
- Lead Animator: Matt Caldamone
Credit ranking to: TheMovieDb
I did now not know the rest about this case ahead of I saw the movie, so after I saw “Reality Winner” and FBI – successfully, I used to be as soon as looking ahead to a form of “Slumdog Millionaire” form scenario. Nope, nothing fancy. That is the accurate title of a woman (Sydney Sweeney) who worked for the American authorities translating Iranian documents. She arrives home one day to search out “Garrick” (Josh Hamilton) and “Taylor” (Marchánt Davis) parked on her garden with a warrant to head attempting her, her home, her automobile… She’s bemused and a dinky bit nonplussed, especially as her company seem intention more pondering referring to the wellbeing of her cat and her dog! Anyway, into the house they finally crawl and the interrogation begins. For some time, there might perhaps be extremely an efficient depth to that job and utilizing, as it does, the distinctive transcript of the interview as it passed off, it delivers an legitimate attempting presentation of fine how efficient these agents might perhaps well fair additionally be. It is history, so there might perhaps be no jeopardy – and I deem Sweeney turns in quite a grand efficiency because the region thickens then another time all of it takes a long way too prolonged to catch going and the manufacturing is all perfect a dinky bit too staccato. The thread does crawl some approach to revealing the intimidatory powers of Uncle Sam when he feels aggrieved and that makes for uncomfortable looking out directly in a while. It is now not an especially memorable drama, and it would now not desire a cinema – nonetheless this would per chance presumably be aesthetic to have a study on the television while posing a pair of questions about what is or is now now not in the “public passion”.