ORIGINAL TITLE
Ladri di biciclette
ORIGINAL LANGUAGE
it,
Movie Bicycle Thieves Description
Unemployed Antonio is pleased when he at last finds work putting posters around battle-torn Rome. However, on his first day, his bicycle—essential to his work—will get stolen. His job is doomed unless he can catch the thief. With the motivation of his son, Antonio combs the metropolis, becoming desperate for justice.
YEAR
1948
PRODUCTION COUNTRY
Italy
PRODUCTION COMPANIES
Produzioni De Sica
CAST
- Antonio Ricci: Lamberto Maggiorani
- Bruno Ricci: Enzo Staiola
- Maria Ricci: Lianella Carell
- The Charitable Woman: Elena Altieri
- Baiocco: Gino Saltamerenda
- The Beggar: Giulio Chiari
- Alfredo Catelli, the Thief: Vittorio Antonucci
- Secretary of the Charity Group: Michele Sakara
- A Beggar: Carlo Jachino
- …: Emma Druetti
- Citizen who protects the staunch thief (uncredited): Giulio Battiferri
- A Seminary Pupil (uncredited): Sergio Leone
- Meniconi, the Side street Sweeper (uncredited): Mario Meniconi
- Guard in Piazza Vittorio (uncredited): Checco Rissone
- Police Officer (uncredited): Peppino Spadaro
- (uncredited): Nando Bruno
- Carabiniere (uncredited): Eolo Capritti
- (uncredited): Memmo Carotenuto
- (uncredited): Umberto Spadaro
- Beginner Actor: Fausto Guerzoni
- A younger boy (uncredited): Piero Heliczer
- Prosperous Child in Restaurant (uncredited): Massimo Randisi
CREW
- Producer: Giuseppe Amato
- Editor: Eraldo Da Roma
- Producer: Vittorio De Sica
- Yarn: Cesare Zavattini
- Fashioned Tune Composer: Alessandro Cicognini
- Center of attention Puller: Carlo Di Palma
- Screenplay: Suso Cecchi d’Amico
- Digicam Operator: Mario Montuori
- Recent: Luigi Bartolini
- Screenplay: Oreste Biancoli
- Production Supervisor: Umberto Scarpelli
- Director of Photography: Carlo Montuori
- Production Invent: Antonio Traverso
- Screenplay: Adolfo Franci
- First Assistant Director: Gerardo Guerrieri
- Conductor: Willy Ferrero
- Production Secretary: Roberto Moretti
- First Assistant Director: Luisa Alessandri
- Unit Supervisor: Nino Misiano
- Sound Engineer: Bruno Brunacci
- Screenplay: Gherardo Gherardi
- Sound: Biagio Fiorelli
Movie Title: “Bicycle Thieves”
Introduction:
On this planet of cinema, every movie is a special creation, a distinct myth waiting to be taught. Bicycle Thieves, the most contemporary addition to this ever-evolving universe, takes its audience on an unforgettable bolt that’s not only visually gorgeous but emotionally profound. As a cinephile, I had the privilege of experiencing this movie and am infected to fragment my ideas on this assessment.
Say and Storytelling:
“Bicycle Thieves” tells a memoir that is both intimate and tale in scale. The memoir is a rollercoaster of emotions, starting from coronary heart-wrenching moments to exhilarating triumphs.
What objects “Bicycle Thieves” apart is its capability to glue with the audience on a deeply emotional degree.
The characters are beautifully developed, and their relate at some level of the movie is both relatable and horrifying.
Direction and Cinematography:
The movie is a visual masterpiece, a lawful testomony to the art of filmmaking. The director’s vision is realized with outstanding precision, making every frame a work of art. “Bicycle Thieves” cinematography is breathtaking, with scenes that are a feast for the eyes. The utilize of color, lighting, and camera angles enhances the emotional affect of every scene, making it an immersive abilities.
Performances:
The solid of “Bicycle Thieves” delivers prominent performances. The supporting solid is equally impressive, including layers to the parable with their outstanding acting abilities. The chemistry between the actors is palpable, and it be a joy to sight their interactions on video display.
Soundtrack and Catch:
The tune in “Bicycle Thieves” is a character in itself. The soundtrack enhances the movie’s emotional bolt, improving the audience’s connection to the parable. From coronary heart-wrenching melodies to pulse-pounding compositions, the tune provides a layer of depth that is in overall lacking in contemporary cinema.
Conclusion:
“Bicycle Thieves” is a cinematic gem that transcends the boundaries of the medium. Or not it’s a testomony to the energy of storytelling, art, and human connection.
This movie is a must-sight for anybody who appreciates the magic of cinema. This will maybe leave you both emotionally moved and intellectually stimulated, making it a outstanding addition to the enviornment of movie.
Don’t pass over the opportunity to embark on this unforgettable cinematic bolt.
So, fetch your tickets, resolve into your seats, and put together to be spellbound by “Bicycle Thieves“, a movie that can linger for your ideas prolonged after the credit roll.
Movie Critiques
- barrymost: When in Rome… abet an ogle for your bicycle! Or else it’s miles going to also very neatly be stolen and it’s likely you’ll maybe receive your self fruitlessly shopping the streets of Italy, as the father and son attain on this classic Italian movie. Lamberto Maggiorani, as the desperate, out of labor father, and Enzo Staiola, as his frustrated younger son, play off every other properly and a pleasant slide keeps issues exciting. Or not it’s heralded as one amongst the supreme motion photos ever made, but personally I produce not somewhat gaze why. Or not it’s a lawful myth none the less, and it saved my attention. There would possibly per chance be a truly satisfying dose of irony at the cease.
- CinemaSerf: In post battle Rome, cash is very tight for “Antonio” (Lamberto Maggiorani) so when he will get a gamble to invent some extra cash, he grabs the opportunity. Snag is, he wants his bike to achieve the work and someone has unbiased pinched it. Together alongside with his younger son “Bruno” (a incredible Enzo Staiola) he objects out on the reach very not going job of monitoring the thing down! What ensues are a collection of escapades as the father and son crew encounter a vary of equally battle ravaged electorate – some more commended than others – on their mini-quest. Or not it’s a spell binding see on humanity this, centred around something so it sounds as if pedestrian as shedding a bike, however the cascading affect of that match on their lives and their relationship besides with the profound effects on their livelihood and self appreciate are expertly laid out by De Rica, who draws us gradually into their collection of adventures. The simplicity of the parable furthermore engenders an opportunity to have a look at the poverty persisted by many sections of the citizenry (folk that take a seat throughout the mass in speak that they are going to also be rewarded with a bowl of soup in situation of caring about any redemption of their soul, as an instance). The performance from the younger Staiola is wonderful. He plays the position of the younger boy with worthy pure capability – his character has no staunch conception of why this bike is so valuable, nor of why it be loss is causing his father’s behaviour to vacillate – but be pleased a real puppy, he continues to motivate out, even saving the day at one stage. The settings on this damaged-down metropolis add considerably to the sense of despair – ruins (mild and new) – and at situations they create you wonder of life right here has indubitably moved on so worthy from Roman situations. The slide of the movie is very neatly measured, the script isn’t very devoid of a diminutive humour, even joy, most frequently and the momentum builds progressively to a conclusion that is remarkably poignant and that left me with a smile on my face. Quiz is even though, does he receive his bike???
- JN2012: A heartwarming but surprisingly bleak masterpiece of hope and despair.
Credit ranking: TheMovieDb