MOVIE DESCRIPTION
Dr. Ryan Stone, a honest medical engineer on her first Shuttle mission, with venerable astronaut Matt Kowalsky in voice of his final flight sooner than retiring. But on a apparently routine spacewalk, catastrophe strikes. The Shuttle is destroyed, leaving Stone and Kowalsky fully alone-tethered to nothing but each a form of and spiraling out into the blackness of dwelling. The deafening silence tells them they’ve lost any hyperlink to Earth and any likelihood for rescue. As fear turns to alarm, each gulp of air eats away at what microscopic oxygen is left. However the most productive contrivance dwelling will doubtless be to pass additional out into the frightening expanse of dwelling.
YEAR
2013
ORIGINAL LANGUAGE
en,
PRODUCTION COUNTRY
United Kingdom,United States of The united states
PRODUCTION COMPANIES
Esperanto Filmoj,Warner Bros. Pictures,Heyday Movies
CAST
- Dr. Ryan Stone: Sandra Bullock
- Lt. Matt Kowalski: George Clooney
- Mission Defend watch over (remark): Ed Harris
- Aningaaq (remark): Orto Ignatiussen
- Shariff (remark): Phaldut Sharma
- Explorer Captain (remark): Amy Warren
- Apartment Space Captain (remark): Basher Savage
CREW
- Casting: Lucinda Syson
- Thanks: Robert Richardson
- Thanks: Alejandro González Iñárritu
- Stunts: Kim McGarrity
- Thanks: James Cameron
- Director of Pictures: Emmanuel Lubezki
- Casting: David Rubin
- Special Effects Supervisor: Neil Corbould
- Supervising Artwork Director: Impress Scruton
- Thanks: David Fincher
- Sound Re-Recording Mixer: Skip Lievsay
- Extra Pictures: Michael Seresin
- Manufacturing Produce: Andy Nicholson
- Producer: David Heyman
- Author: Alfonso Cuarón
- Costume Produce: Jany Temime
- Stunts: David Cronnelly
- Stunts: Andy Magnificent
- Supervising Sound Editor: Glenn Freemantle
- Dialogue Editor: Gillian Dodders
- Foley Editor: Hugo Adams
- Sound Clothier: Ben Barker
- Unit Manufacturing Manager: David Siegel
- Novel Song Composer: Steven Tag
- Thanks: Guillermo del Toro
- Foley: Nicolas Becker
- Idea Artist: Jon Bunker
- Put of abode Decoration: Joanne Woollard
- Casting: Richard Hicks
- Thanks: Timothy J. Sexton
- Executive Producer: Christopher DeFaria
- Hairstylist: Waldo Sanchez
- Scoring Mixer: Lewis Jones
- Dolly Grip: Tony Rowland
- Third Assistant Director: Tom Brewster
- First Assistant Director: Stephen E. Hagen
- ADR Mixer: Impress DeSimone
- Rotoscoping Artist: Joaquim Dos Santos
- Manufacturing Sound Mixer: Chris Munro
- Visual Effects: Tony Clark
- Stunts: Nellie Burroughes
- Safety: Peter Weireter
- Matte Painter: Irene Navarro
- Scoring Mixer: Gareth Cousins
- Author: Jonás Cuarón
- Stunt Coordinator: Impress Henson
- Editor: Impress Sanger
- Put up Manufacturing Supervisor: Jessie Thiele
- 3D Modeller: Daniel Could per chance well
- Executive Producer: Stephen Jones
- First Assistant Director: Josh Robertson
- Costume Produce: Janey Temime
- Stunts: Stephanie Carey
- CG Supervisor: Alexis Wajsbrot
- Visual Effects Producer: Fiona Walkinshaw
- Executive Producer: Nikki Penny
- Put up Manufacturing Supervisor: Emma Zee
- Vocals: Lisa Hannigan
- Extra Visual Effects: Jonathan Fawkner
- Pre-Visualization Supervisor: Dadi Einarsson
- Sound Re-Recording Mixer: Chris Benstead
- Sound Re-Recording Mixer: Niv Adiri
- Sound Effects Editor: Danny Freemantle
- Sound Clothier: Eilam Hoffman
- Camera Operator: Peter Taylor
- Visual Effects: Alex Meddick
- CG Supervisor: Michael Mulholland
- Visual Effects Editor: Tom Woodall
- Dialogue Editor: Emilie O’Connor
- Chief Lights Technician: John Higgins
- Artwork Division Coordinator: Heather Noble
- Rotoscoping Artist: Robert E. Evans
- Visual Effects Editor: Lars Vinther
- Supervising Dialogue Editor: Nina Hartstone
- Camera Operator: Jamie Harcourt
- Rigging Gaffer: Wayne Leach
- Script Supervisor: Laura Miles
- Digital Intermediate: Todd Kleparski
- Visual Effects Supervisor: Tim Webber
- Lights Supervisor: Ashley Palin
- Hairstylist: Janine Rath
- Assistant Accountant: Frances Richardson
- Property Master: Chris Cull
- Video Abet Operator: Jack Warrender
- Head of Manufacturing: Matthew Bristowe
- Dolby Handbook: Slash Watson
- Steadicam Operator: Alf Tramontin
- First Assistant Camera: Olly Tellett
- Animation: Brett Margules
- Animation: Eddie Prickett
- Animation: Sven Assmuss
- Visual Effects Manufacturing Manager: Lexie Busby
- Put of abode Decoration: Rosie Goodwin
- Make-up Artist: Pamela S. Westmore
- Special Effects Coordinator: Samantha Knox-Johnston
- Animation Supervisor: Max Solomon
- Animation Supervisor: David Shirk
- CG Supervisor: Chris Lawrence
- CG Supervisor: Sylvain Degrotte
- Simulation & Effects Artist: Nikhil M. Anand
- Simulation & Effects Artist: Daniele Antinolfi
- Simulation & Effects Artist: Andrea Arghinenti
- Sequence Supervisor: Harry Bardak
- Simulation & Effects Artist: Phoenix Chan
- Simulation & Effects Artist: Michelle Dean
- Simulation & Effects Artist: Alessandro Gobbetti
- Simulation & Effects Artist: Jessica Amber Hurst
- Simulation & Effects Artist: Paul Hurwitz
- Simulation & Effects Artist: Bastian Klucker
- Simulation & Effects Artist: Chirag Mistry
- Simulation & Effects Artist: Susannah Marie Williams
- Visual Effects Editor: Lukasz Bukowiecki
- Visual Effects Producer: Richard Graham
- Visual Effects Producer: Charles Howell
- Visual Effects Supervisor: Richard McBride
- Digital Intermediate: Dominic Thomson
- First Assistant Editor: Tania Clarke
- First Assistant Editor: Debs Richardson
- Publicist: Lisa Stone
- Title Clothier: Gonzalo García Barcha
- Associate Producer: Gabriela Rodríguez
- Sound Combine Technician: Slash Del-Molino
- Visual Effects: Ian Cope
- Visual Effects: Dennis Jones
- ADR Mixer: Chris Navarro
- Stunts: Gary Arthurs
- ADR Mixer: Ric Schnupp
- Special Effects Supervisor: Manex Efrem
- Visual Effects Editor: Steve Pang
- Orchestrator: David Butterworth
- Lead Animator: Dale Newton
- Compositing Lead: James D. Fleming
- Animation: Laurent Benhamo
- 2nd Assistant Camera: Dora Krolikowska
- Compositing Supervisor: Impress Bakowski
- 2nd Assistant Director: Ben Howard
- Animation: Kubilay Kocaoglu
- Pipeline Technical Director: Antonio Marra
- Standby Wood worker: Darren Hayward
- Idea Artist: Julian Caldow
- Key Grip: Pat Garrett
- Conductor: Geoff Alexander
- Stunts: Jo McLaren
- Visual Effects Assistant Editor: Steven Mates
- Visual Effects Manufacturing Manager: Anna V. James
- Teach Operator: Steve Finn
- Compositor: Rob Garner
- Animation: Florian Parrot
- Assistant Sound Editor: Slash Freemantle
- Unit Manufacturing Manager: Steve Harding
- CG Supervisor: Sam Hodge
- 2nd Assistant Director: Marcia Homosexual
- Animation: Shahar Levavi
- Constructing Manager: Peter N. Brown
- Animation: Laurent Laban
- Rotoscoping Artist: Sasha Leigh Izadpanah
- Animation: Benoit Bargeton
- Visual Effects Editor: Phil Eldridge
- Compositing Supervisor: Anthony Smith
- First Assistant Director: Toby Hefferman
- Idea Artist: Chris Baker
- Visual Effects: Tim Bowman
- Digital Colorist: Max Horton
- Animation: José Luis de Lucas
- Simulation & Effects Artist: Steven Sandles
- Simulation & Effects Artist: James Nicholl
- Visual Effects Editor: Tabitha Dean
- Visual Effects Manufacturing Manager: Warwick Hewett
- Lights Technician: George Chicken
- Put of abode Manufacturing Assistant: David A. Smith
- Dolly Grip: Brian Taylor
- Scoring Mixer: Matt Jones
- Visual Effects Coordinator: Jan Meade
- Manufacturing Coordinator: Jonathan Scott
- Stunts: Sian Milne
- Stunts: Belinda McGinley
- Compositing Lead: Matthew Twyford
- Dolly Grip: Phil Murray
- Compositor: Marco Aurélio Engelmann Santos
- Visual Effects: Slash Pill
- Rotoscoping Artist: Gareth Jones
- Animation: Sidney Kombo
- Simulation & Effects Artist: Sagar Rathod
- Simulation & Effects Artist: Penn Stevens
- Manufacturing Assistant: Alison Chilly climate
- Visual Effects: Sarah McLauchlan
- First Assistant Director: Edward Brett
- CG Artist: Sandy Sutherland
- Rotoscoping Artist: Dan Victoire
- Compositor: David Simpson
- Compositor: Christian Kaestner
- Thanks: Ryan McGuire
- Compositor: Ricky Leach
- Musician: Roger Linley
- Pipeline Technical Director: Jose Luis Gomez Diaz
- Shading: Adrian Bell
- Scoring Mixer: Andrew Dudman
- Lights Technician: Stephen Mathie
- Visual Effects Manufacturing Manager: Marcus Goodwin
- Compositor: Stephanie Saillard
- CG Artist: Vincent Houze
- Animation: Adeline Grange
- Rotoscoping Artist: Jess Hunt
- Animation: Bryon Caldwell
- Visual Effects Editor: Russell Pawson
- Assistant Costume Clothier: Emily-Rose Yiaxis
- Rigging Supervisor: Nico Scapel
- Scoring Mixer: Sam Okell
- Pipeline Technical Director: Nicholas Hampshire
- ADR Mixer: Andy Stallabrass
- Rotoscoping Artist: Milen Piskuliyski
- Stunts: Diz Sharpe
- Rotoscoping Artist: Daniel Batt
- Costumer: Jenny Hawkins
- Put up Manufacturing Coordinator: Siobhan Boyes
- Lead Animator: Michael Brunet
- Visual Effects Coordinator: Rick Poley
- 3D Modeller: Paul Threadgold
- Digital Imaging Technician: Peter Marsden
- Lead Animator: Mathieu Vig
- Rotoscoping Artist: David J. Nolan
- Rotoscoping Artist: Michael Christophersson
- Special Effects Technician: Impress Grew
- Compositor: Leo Neelands
- Animation: Stein Løtveit
- Stunts: Casey Michaels
- Rotoscoping Artist: Richard Courtman
- Compositing Lead: Bruce Nelson
- Compositor: Claudia Lechen
- Rotoscoping Artist: Lars Erik Eriksen
- Rotoscoping Artist: Scott Dawkins
- Compositing Lead: Bjarni Robert Bragason
- Compositor: Gavin McKenzie
- Rotoscoping Artist: Impress Millena
- Visual Effects Coordinator: Lauren McCallum
- Compositing Lead: Sam Osborne
- Compositor: Adriano Mulè
- Compositing Lead: Anthony Luigi Santoro
- 3D Modeller: Ivan Weightman
- 3D Modeller: Jamie Martin
- 3D Modeller: Rhys Pugh
- Artwork Division Assistant: Caroline Pool
- Dressing Prop: Dan Bryant
- Standby Rigger: Alan Perez
- Standby Rigger: Danny Webster
- Standby Rigger: Dean Smith
- Scoring Mixer: Joe Kearns
- Scoring Mixer: Toby Hulbert
- Sound Combine Technician: Aurélien Mauro
- Vocals: Haley Glennie-Smith
- Vocals: Katherine Ellis
- Special Effects Technician: Jonathan Bickerdike
- Special Effects Technician: Karol Stachowicz
- Special Effects Technician: Kevin Lumley
- Special Effects Technician: Stuart Kerr
- Stunts: Shelly Benison
- Stunts: Juliette Cheveley
- Stunts: Bean Peel
- Stunts: Arran Topham
- Chief Lights Technician: Terry Could per chance well
- Lights Technician: Bernard O’Brien
- Lights Technician: Darren Howton
- 2nd Assistant Camera: Tom Wade
- Background Clothier: Deven Saxena
- Costumer: Tamsin Flower
- Costumer: Jemma Jessup
- Thanks: Martin Wickman
- Assistant Accountant: Betty Ainslie
- Assistant Accountant: Sammy Horton
- Assistant Accountant: Stephen McConnell
- Assistant Accountant: Valerie Rosewell
- Assistant Accountant: Fiona Could per chance well McLaren
- Assistant Accountant: Gemma Todd Smithers
- Assistant Manufacturing Coordinator: Glenn Diot
- Catering: Chorley Bunce
- Clinical Handbook: Johnny Gayner
- Pipeline Technical Director: Kiattiyot Panichprecha
- Manufacturing Accountant: Dilip Patel
- Manufacturing Assistant: Cenay Said
- Manufacturing Assistant: Craig Jamieson
- Manufacturing Assistant: Ruth Antoine
- Manufacturing Assistant: Phoebe Vale Markham
- Manufacturing Secretary: Kevin Baulcomb
- Safety: Giovanni Zeqireya
- Put of abode Manufacturing Assistant: Amy Irvine
- Put of abode Manufacturing Assistant: Annie Hitchcock
- Unit Medic: Shannon Elphick
- Shading: Alex Rothwell
- Shading: Jami Levesque
- Animation: Aldo Gagliardi
- Animation: Alfonso Sicilia
- Animation: Aziz Kocanaogullari
- Animation: Daniel Gerhardt
- Animation: Duncan Ransom
- Animation: Elwaleed Suliman
- Animation: Graham Gallagher
- Animation: Jean Poh
- Animation: Jonny Hall
- Animation: Karl Erlandsen
- Animation: Mario de Dios
- Animation: Wei Xing Yong
- Animation: Jasper Parker Trenfield
- Animation: Óscar Carámbano
- Animation: Pep L. Llado
- CG Artist: Anthony Chappina
- CG Artist: Ben Frost
- CG Artist: David Louis
- CG Artist: Duarte Victorino
- CG Artist: Emanuele Paris
- CG Artist: Eoghan Cunneen
- CG Artist: Johannes Richter
- CG Artist: Poya Shohani
- CG Artist: Reinhold Rittinger
- CG Artist: Rob Richardson
- CG Artist: Selcuk Ergen
- CG Artist: Thanos Topouzis
- CG Artist: Yann Moalic
- CG Artist: Gregory Louden
- CG Artist: Steve Hardy
- Compositor: Aaron Lear
- Compositor: Adam Parker
- Compositor: Aled Rhys Jones
- Compositor: Alexander Eriksson
- Compositor: Amy Davis
- Compositor: Arianna Lago
- Compositor: Ben Aickin
- Compositor: Elena Topouzoglou
- Compositor: Ellie Meure
- Compositor: Giacomo Matteucci
- Compositor: Helen Bunker
- Compositor: Juan Salazar
- Compositor: Kate Burgess
- Compositor: Marc Rice
- Compositor: Miguel Carballal
- Compositor: Roland Friedrich
- Compositor: Tigran Badalyan
- Compositor: Otto Thorbjornsen
- Digital Compositor: Ricardo Ferreira
- Lead Animator: Liam Russell
- Lead Animator: Simon Thistlethwaite
- Compositing Lead: Charlie Armstrong
- Compositing Lead: John Peck
- Compositing Lead: Kevin Bell
- Compositing Lead: Impress Casey
- Compositing Lead: Theodor Groeneboom
- Compositing Lead: Thomas Dyg
- Compositing Lead: Tom Baskaya
- Compositing Lead: Vladislav Akhtyrskiy
- Compositing Lead: Christian Zeh
- Visual Effects Coordinator: Jack Hawkes
- Matte Painter: Antoine Goncalves
- Matte Painter: Carl Edlund
- Matte Painter: Charlie Bennett
- Matte Painter: Florence Durante
- Matte Painter: Scott McInnes
- Pipeline Technical Director: Daniele Federico
- Pipeline Technical Director: Daphna Wegner
- Pipeline Technical Director: Declan McGuire
- Pipeline Technical Director: Francois Bleibel
- Pipeline Technical Director: Henry Bush
- Pipeline Technical Director: Jacob Telleen
- Pipeline Technical Director: John van Leeuwen
- Pipeline Technical Director: Lars Vanderbijl
- Pipeline Technical Director: Max Williams
- Pipeline Technical Director: Michele Bosi
- Pipeline Technical Director: Pete Capelluto
- Pipeline Technical Director: Rico Dober
- Pipeline Technical Director: Stefano Tabacco
- Pipeline Technical Director: Tolu Aina
- Pipeline Technical Director: Ian Thompson
- Rotoscoping Artist: Alexander Swann
- Rotoscoping Artist: Jo De Mey
- Rotoscoping Artist: Ravi Krishna Kasumarthy
- Rotoscoping Artist: Siân Rees
- Rotoscoping Artist: Valur Zophoníasson
- Rotoscoping Artist: Abby Jacobsen
- Rotoscoping Artist: Altug Tumer
- Rotoscoping Artist: Ching-Yi Chen
- Rotoscoping Artist: Donia Sonkor
- Rotoscoping Artist: Gareth Tredrea
- Rotoscoping Artist: Gunnhildur Thorkelsdottir
- Rotoscoping Artist: Henrik Linnet
- Rotoscoping Artist: Hollie Taylor
- Rotoscoping Artist: Jakub Jezek
- Rotoscoping Artist: Kai Gadd
- Rotoscoping Artist: Kye Dorricott
- Rotoscoping Artist: Lee Chan Popo
- Rotoscoping Artist: Oliver Fergusson-Taylor
- Rotoscoping Artist: Prathap Sekar
- Simulation & Effects Artist: Michael Adam Thompson
- Simulation & Effects Artist: Adrian Pinder
- Simulation & Effects Artist: Andrea Tozzo
- Simulation & Effects Artist: Dan Warder
- Simulation & Effects Artist: Devdatta Nerurkar
- Simulation & Effects Artist: Ervin Kaszap
- Simulation & Effects Artist: Ken Shimizu
- Simulation & Effects Artist: Kishore Singh
- Simulation & Effects Artist: Marcus Ottosson
- Simulation & Effects Artist: Philip J. Robinson
- Simulation & Effects Artist: Ryan Rubi
- Simulation & Effects Artist: Wayde Duncan-Smith
- Stereoscopic Supervisor: Chris Parks
- Visual Effects: Adam Paschke
- Visual Effects: Adam Potter
- Visual Effects: Ben Paschke
- Visual Effects: Damien Thaller
- Visual Effects: Dan Wills
- Visual Effects: Daniel Thompson
- Visual Effects: Matthew Shaw
- Visual Effects: Paul Kirwan
- Visual Effects: Premamurti Paetsch
- Visual Effects: Sam Hancock
- Visual Effects Coordinator: Aysha Ley
- Visual Effects Coordinator: Bonnie Lin
- Visual Effects Coordinator: Claire Galpin
- Visual Effects Coordinator: Emma Viscount St. Albans
- Visual Effects Coordinator: Eoin Hegan
- Visual Effects Coordinator: Fiona Carruthers
- Visual Effects Coordinator: Lucinda Keeler
- Visual Effects Coordinator: Matina Skouteri
- Visual Effects Coordinator: Sarah Lister
- Visual Effects Coordinator: Sophie Carroll
- Visual Effects Producer: Lorna Paterson
- Visual Effects Manufacturing Manager: Danielle Morley
- Compositor: Manuel Perez
- CG Supervisor: Andy Walker
Credit ranking to: TheMovieDb
Enormous myth, massive solid and performances, massive path, FX, pictures, love the diminutive print, OST and enhancing.
Alfonso Cuarón is an sincere titan and Sandra Bullock goes for the Oscar.
It’s miles now now not a 10 because at some level the chain of occasions goes further that it could well honest unruffled.
There is absolute self assurance that here’s a extraordinarily magnificent movie from a purely visual level of glimpse. Right here could very well be a movie that can take pleasure in being watched in a factual theater with its grandiose scenery.
Nonetheless, I truly decide to affirm that I chanced on the relaxation of the movie considerably mediocre. The section that I felt dragged down the movie basically the most is that Dr. Ryan is behaving rather clumsily and amateurish first being true dreary in obeying the whisper to evacuate after which floating around huffing and puffing, talking plenty when she could honest unruffled truly preserve oxygen. Did they now now not give her the fundamental route forward of letting her up in space? I additionally chanced on it soooo Hollywood that she used to be ready to salvage onto the Chinese language space space and seconds later it begins to descend into the ambiance. On the total I felt that the script creator used to be now now not truly very technically educated.
Overlooking these, sadly all too incessantly occurring components, the movie is somewhat okay as an complete. Obviously I cannot trust the very most absorbing all-critical particular person ratings that some of us have been giving it however it’s removed from the one critical particular person trashing that other of us have been giving it. Technically it used to be very factual with good particular outcomes. Bullock performed apart from as could additionally be expected with the script she used to be given. Clooney felt a bit out-of-space as a talented astronaut to me however then he used to be now now not truly in the movie that mighty.
To me it used to be a somewhat satisfying popcorn movie.
**A cinematography masterclass!**
The cinematography of this movie is a huge ranging feat, now not like the leisure I truly have ever seen! The commitment to realism influenced every decision throwing the target audience into the depth of each moment. A charming dart from beginning to total with overwhelming outcomes and masterful storytelling that makes you feel every 2d. This movie totally earned its space on the list of “1001 Movies to See Earlier than You Die.”
Gravity is an yarn thrill dart that begins and by no blueprint ends. I truly have now now not felt persevered stress cherish this movie in a whereas. Your complete movie is so remoted and desperate, it’s incredibly immersive. It had me on the perimeter of my seat all of the time. The script is a bit tough at cases, a pleasing portion of the dialogue would now not seem life like and could strategy off as corny usually, in particular with George Clooney’s personality. Overall, it’s instant, face paced, and thrilling and I’d extremely counsel.
Catch: 82%
Verdict: Enormous