Film “The Book of Clarence”. Opinions and Movie Trailer.

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MOVIE DESCRIPTION
Streetwise but down-on-his-success, Clarence is struggling to search out a better lifestyles for his family, while fighting to free himself of debt. Captivated by the energy and glory of the rising Messiah and His apostles, he risks every thing to slash his appreciate path to a divine lifestyles, and in the extinguish discovers that the redemptive energy of perception would be his only intention out.

MOVIE TRAILER

YEAR
2024

ORIGINAL LANGUAGE
en,

PRODUCTION COUNTRY
United States of The USA

PRODUCTION COMPANIES
Legendary Photos,Kilburn Lane

CAST

  • Clarence / Thomas: LaKeith Stanfield
  • Barabbas: Omar Sy
  • Elijah: RJ Cyler
  • John the Baptist: David Oyelowo
  • Mother Mary: Alfre Woodard
  • Mary Magdalene: Teyana Taylor
  • Zeke: Caleb McLaughlin
  • Pontius Pilate: James McAvoy
  • Benjamin: Benedict Cumberbatch
  • Varinia: Anna Diop
  • Clarence’s Mother: Marianne Jean-Baptiste
  • Asher the Torturer: Babs Olusanmokun
  • Jedediah the Hideous: Eric Kofi Abrefa
  • Jesus of Nazareth: Nicholas Pinnock
  • Judas: Micheal Ward
  • …: Scuttle W. Dillon
  • …: Tom Glynn-Carney
  • …: Tom Vaughan-Lawlor

CREW

  • Casting: Victoria Thomas
  • Manufacturing Gather: Peter Walpole
  • Place Decoration: Alessandra Querzola
  • Unit Manufacturing Supervisor: Garrett Grant
  • Camera Trainee: Laura De Benedittis
  • First Assistant Director: Nicholas Mastandrea
  • Producer: James Lassiter
  • Music Supervisor: Peter Afterman
  • Sound Re-Recording Mixer: Paul Massey
  • Songs: Jay-Z
  • Songs: Jeymes Samuel
  • Casting: Dixie Chassay
  • Director of Pictures: Rob Hardy
  • Costume Gather: Antoinette Messam
  • Foley Supervisor: Barnaby Smyth
  • Foley Artist: Dan O’Connell
  • Sound Results Editor: Joe Fletcher
  • Manufacturing Supervisor: Khalid Ameskane
  • Script Supervisor: Jessica Lichtner
  • Makeup Artist: Federico Carretti
  • Hair Department Head: Yolanda Mercadel
  • Editor: Tom Eagles
  • Makeup Clothier: Sian Richards
  • Makeup Artist: Susan Howard
  • Sound Re-Recording Mixer: Gilbert Lake
  • Visible Results Producer: Tim Keene
  • Costume Supervisor: Gábor Homonnay
  • Extra Pictures: Eric Biglietto
  • Casting Companion: Bonnie Grisan
  • Manufacturing Living of labor Coordinator: Julieta Blázquez
  • Unit Manufacturing Supervisor: Daniele Abeille
  • Stunts: Danilo Capuzi
  • Manufacturing Sound Mixer: Barry O’Sullivan
  • First Assistant Director: Gilles Cannatella
  • Visible Results Supervisor: Adam Azmy
  • Title Clothier: Matt Curtis
  • Special Results Supervisor: Stefano Corridori
  • Gaffer: Hanoi De La Paz
  • Visible Results Manufacturing Supervisor: Adrianna Nielle Davies
  • Digital Compositor: Eloise Tomlinson
  • Makeup Department Head: Laura Borselli
  • ADR Mixer: Mike Tehrani
  • Visible Results Producer: Kamila Ostra
  • Second Assistant Director: Monika Hristova
  • Extras Casting Assistant: Geo Coretti
  • Sound Results Editor: Rob Prynne
  • Rigging Gaffer: Paolo Sartori
  • Extra First Assistant Camera: Sacha Rossi
  • Assistant Unit Supervisor: Giovanni Labadessa
  • Stunt Coordinator: Gabriele Ragusa
  • Supervising Art Director: Roberto Caruso
  • First Assistant “B” Camera: Alias Gallione
  • Post Manufacturing Supervisor: Siobhan Boyes
  • Producer: Tendo Nagenda
  • Companion Editor: Elise Anderson
  • Digital Compositor: Charlotte Larive
  • First Assistant “A” Camera: Rafael Jeneral
  • Visible Results Producer: Ashlee Sutherland
  • Stunts: Gabriele Scilla
  • Rigging Grip: Lucas Berisso
  • Manufacturing Living of labor Coordinator: Margherita Di Tullio
  • ADR Mixer: Thibault Arnold
  • Extras Casting Assistant: Cinzia Clemente
  • Simplest Boy Electrician: Matteo Attolini
  • Stunt Double: Moussa Fomba
  • Second Assistant “A” Camera: Carola Rodriguez Sanchez
  • Sound Mixer: Paolo Giuliani
  • Hair Department Head: Nakoya Yancey
  • Digital Compositor: Alessandro Melillo
  • Visible Results Manufacturing Supervisor: Hermione Francis
  • Second Assistant Director: Giacomo De Bello
  • Manufacturing Supervisor: Matteo Leurini
  • Place Dresser: Mattia Lorusso
  • Extras Casting Coordinator: Maurizio Cusano
  • Stunts: Jordan Dumaurier
  • Sound Mix Technician: Nikola Zivojinovic
  • Second Assistant Director: Tanya Rosen
  • Assistant Art Director: Chantal Rivera
  • Unit Supervisor: Ferdinando Cocco
  • Casting Companion: Verity Naughton
  • Music Coordinator: Jane Berry
  • Art Route: Francesco Scandale
  • ADR Recordist: James Bishop
  • Sound Mix Technician: Arnold Antony
  • Makeup Artist: Diego Avolio
  • Hair Department Head: Wayne Jolla Jr.
  • Foley Mixer: Tavish Grade
  • Drone Pilot: Loris Coniglio
  • Key Makeup Artist: Lauren Landry Chemin
  • Voice Operator: Giuliano Marcaccini
  • Sound Clothier: Alyn Sclosa
  • Storyboard Artist: Dwayne Turner
  • Stunts: Ferdinando Stazzone
  • Second Unit First Assistant Director: Paolo Giacomo Marino
  • Transportation Captain: Silvio Giannini
  • Assistant Unit Supervisor: Bardo Tarantelli
  • Property Master: Daniele Bignami
  • Makeup Artist: Donald McInnes
  • Makeup Artist: Elena Salvagiani
  • Stunt Double: Grégory Nolbas
  • Lighting fixtures Programmer: Nicola Saponaro
  • Sound: Malcolm Carbonetti
  • Second Assistant Camera: Irene Chiappa
  • Assistant Unit Supervisor: Edoardo Tozzi
  • Casting Assistant: Nancy Case
  • Drone Operator: Paolo Majolo
  • Drone Pilot: Elia Mangili
  • Digital Compositor: Esme Coleman
  • “B” Camera Operator: Alberto Viscardi
  • Stunts: Kevin Cetout
  • Digital Imaging Technician: Jonathan Ozan
  • Costumer: Damiano Di Giacomo
  • Makeup Artist: Martina Tamburri
  • Assistant Costume Clothier: Silvia Segoloni
  • Unit Supervisor: Roberta Ugenti
  • Key Makeup Artist: Leila Benbarka
  • Foley Editor: Joe O’Halloran
  • Dolly Grip: Cristiano Galzerano
  • Grip: Marco Mastrofrancesco
  • Manufacturing Sound Mixer: Bea O’Sullivan
  • Costumer: Vittoria Savarino
  • On Place Dresser: Corrado Battorti
  • Assistant Unit Supervisor: Claudia Blasi
  • Second Second Assistant Director: Laura Garetti
  • Third Assistant Director: Francesca Romana Petrecca
  • Art Department Coordinator: Nathalie Baldascini
  • Thought Artist: Giulia Bonomelli
  • Assistant Property Master: Giorgia Di Pietrantonio
  • Special Results: Vladislav Lazov
  • Special Results: Sava Stoian
  • Visible Results Assistant Editor: Izzy King
  • Digital Compositor: Virág Pázmány
  • Digital Compositor: Ruxandra Cristoiu
  • Visible Results Producer: Chee Yen Wang
  • Video Relieve Operator: Francesco Carlucci
  • Video Relieve Operator: Maria Camilla Cuccaro
  • Camera Trainee: Valerio De Angelis
  • Second Assistant Camera: Mattia Gelain
  • Camera Operator: Zachary Greenwood
  • Second Assistant “B” Camera: Sara Menoni
  • Electrician: Daniele Ruju
  • Casting Assistant: Ashley Albans
  • Extras Casting Assistant: Davide Caltabiano
  • Extras Casting Assistant: Romani Nadia
  • Extras Casting Assistant: Paola Paladino
  • Extras Casting Assistant: Lia Trivisani
  • Dresser: Imola Bagi
  • Costumer: Edoardo Rossi Caiati
  • Wardrobe Assistant: Laura Milan
  • Assistant Costume Clothier: Jessica Pierobon
  • Costume Coordinator: Anna Storti
  • Assistant Editor: Anton Novoselov
  • Assistant Editor: Rebecca Orton
  • Region Coordinator: Paola Cavarzerani
  • Assistant Region Supervisor: Antonella Stasi
  • Manufacturing Assistant: Anna Aliprandi
  • Manufacturing Assistant: Anna Bellini
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Credits to: TheMovieDb

One comment

  1. FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-e book-of-clarence-bfi-london-movie-festival-evaluate-hilarious-thought-upsetting-biblical-satire/

    “The Book of Clarence certifies Jeymes Samuel as a enjoy-it-all in filmmaking. Whether by his stylized direction, thought-upsetting satirical screenplay, or bold soundtrack, the filmmaker once extra delivers a highly authentic, basically hilarious mix of genres and tones, and a involving spiritual exploration of the protagonist.

    Lucky as neatly to secure a really amazing forged with LaKeith Stanfield commanding the troops, handing over an impressively all-spherical efficiency. It lacks better tonal balance and extra unpredictability, the latter being destroyed by an useless opening sequence.

    Cheerful to clutch this will likely be released on the huge display cowl cowl, which is where I positively counsel everyone to head and journey this piece of assured entertainment.”

    Rating: B+

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