ORIGINAL TITLE
A Tale of Two Weapons
ORIGINAL LANGUAGE
en,
Movie A Tale of Two Weapons Description
Within the lawless West, The Cowboys, a infamous brotherhood of killers and thieves, reigned over the land with brutal fists and like a flash guns. Destiny had eventually caught up with them and now the cruel gang has but a single surviving member. When a deputized gunslinger takes up the resolution to search out the final Cowboy, the mosey is on and the bullets traipse, and greatest surely one of these hardened males can dwell on.
MOVIE TRAILER
YEAR
2022
PRODUCTION COUNTRY
United States of The United States
PRODUCTION COMPANIES
CAST
- Elma McTeague: Dendrie Taylor
- Doctor Hennigan: Jennifer Wenger
- Warren Drake: Griff Furst
- Virgil Sir Bernard Law: Edward Finlay
- Artemis Hollinger: Ed Morrone
- Ben Mirkwood: Randy Charach
- Tarak: Daniel Luján
- Deputy Dan: Curt Lambert
- Ike Bullard: David Nett
- Touchdown Attendant: Tony A. Sims
- Chauncy Calloway: Jeff Dean
- Fred Moore: Robert Amato
- Cowboy 3: Dan Koenig
- Deputy 2: Troy Coleman
- Tanner Richmond: Brian Cunningham
- Whore #2 (uncredited): Abigail Hunt
- Marshall McTeague: Tom Berenger
- Junior: Danny Trejo
- Abel Cruz: Casper Van Dien
- Captain Mathias: Judd Nelson
- Bill: Jeff Fahey
- McCloskey: Jake Busey
CREW
- Executive Producer: Randy Charach
- Song: Robert Revell
- Producer: Ed Morrone
- Executive Producer: Bill Sondheim
- Producer: Michelle Ng
- Author: Justin Lee
Movie Opinions
- tmdb28039023: If I had to bet I’d suppose that director Justin Lee is aiming for a meta-western, and A Tale of Two Weapons (a title that may want to get sounded sizable on paper but which makes miniature contextual sense) undoubtedly is terribly self-aware – even a piece too great for its luxuriate in factual; here is a movie the set up the ranking in a scene attach in a saloon (though primarily based fully on the signal begin air it’s miles a “membership” quite than a saloon) is Scott Joplin’s “The Entertainer.”
There is moreover tons of focus on “the tip of an generation” and “a dying breed” and “figur[ing] out what males fancy us are gonna maintain on this existence” now that “The organization is called the Cowboys has way to an pause.”
As a topic of truth, there may be tons of talking on this movie, interval, and somewhat a miniature bit it’s miles terribly incomprehensible. To illustrate, we get such non sequiturs as “I maintain not fancy your face, sir. Subsequently, I could in actuality feel no such way about killing you on the merit that you’re an annoyance in my presence.”
Now, don’t accumulate me depraved; I take care of westerns virtually as great as I take care of flicks about americans talking, and there may be not in any admire times a laws that claims a western can’t or shouldn’t be wordy (I’m reminded of Ed Harris’s Appaloosa, which had tons of relaxing with the English language), but maybe there may be a reason that a pair of of the greatest westerns seem like as laconic as their heroes.
Two Weapons is at its most productive when it’s about, in its luxuriate in words, “the joys of the hunt”; a cat and mouse game wherein the pursuer (Ed Morrone) says of his prey (Casper Van Dien) that “I’ve swish been searching this man for a pair of weeks now, and at any time when I mediate I may realize him, he does one thing to shock me.”
Both Morrone and Van Dien flip in great performances, and there’s moreover great supporting work from the likes of Tom Berenger, Jeff Fahey, Judd Nelson, and Danny Trejo.
Morrone is new to me, and the others are removed from what you’d call an A-checklist cast; on the different hand, this isn’t the first rodeo for any of them, they on occasion all lift an global-weary journeyman quality to the proceedings that is great welcome and hundreds liked.
Credits: TheMovieDb
If I needed to wager I would order that director Justin Lee is aiming for a meta-western, and A Tale of Two Weapons (a title that should absorb sounded immense on paper but which makes minute contextual sense) absolutely would possibly perhaps well be very self-wide awake – even just a minute too worthy for its absorb appropriate; here’s a movie the effect the rating in a scene role in a saloon (even supposing in step with the tag commence air it’s a long way a “club” moderately than a saloon) is Scott Joplin’s “The Entertainer.”
There would possibly perhaps be furthermore lots of discuss “the terminate of an period” and “a dying breed” and “figur[ing] out what men worship us are gonna contrivance on this existence” now that “The group known because the Cowboys has come to an terminate.”
As a subject of truth, there’s lots of talking on this movie, interval, and moderately a minute little bit of it’s a long way reasonably incomprehensible. As an illustration, we now absorb such non sequiturs as “I contrivance not worship your face, sir. Therefore, I will feel no such contrivance about killing you on the benefit that you just’re an annoyance in my presence.”
Now, don’t glean me contaminated; I worship westerns nearly as worthy as I worship movies about other folk talking, and there isn’t very this kind of thing as a legislation that says a western can’t or shouldn’t be wordy (I’m reminded of Ed Harris’s Appaloosa, which had lots of fun with the English language), but most likely there is a motive that just a number of the very best westerns seem like as laconic as their heroes.
Two Weapons is at its perfect when it’s about, in its absorb phrases, “the fun of the hunt”; a cat and mouse sport in which the pursuer (Ed Morrone) says of his prey (Casper Van Dien) that “I’ve merely been looking out this man for just a few weeks now, and each time I assume I would realize him, he does one thing to surprise me.”
Both Morrone and Van Dien turn in stable performances, and there’s furthermore solid supporting work from the likes of Tom Berenger, Jeff Fahey, Judd Nelson, and Danny Trejo.
Morrone is novel to me, and the others are a long way from what you’d call an A-checklist forged; on the numerous hand, this isn’t the principle rodeo for any of them, and to boot they all convey a world-weary journeyman quality to the complaints that is worthy welcome and a long way appreciated.